Annabel Frearson

‘Adoreal’ 2019, collage: Ironmonger Direct catalogue on Tibetan mud paper. From the series ‘Wollstonochlincraft 1791-1971’ in which neologisms have been generated by merging two historic feminist texts: Mary Wollstonecraft’s ‘A Vindication of the Rights of Woman’ (1791) and Linda Nochlin’s ‘Why Have There Been No Great Women Artists?’ (1971).

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